“We’ve done polls about what scares you the most, and the number one thing is always clowns.”

Head to the monumental , sprawlingMall of Americain Bloomington , Minnesota — the great mall in the Western Hemisphere , they say — and you ’re typically seeking some retail therapy in one of its 520 store . Or maybe you ’ve fetch your sights set on kick with the SpongeBob SquarePants Rock Bottom Plunge roller coaster , one of several ride in the mall ’s seven - acreNickelodeon Universeindoor theme commons . But now through November 2 , step through the 2nd floor doors that once guide to a well - loved Bloomingdale ’s , and be transported to a steamy , marshy bayou in Slidell , Louisiana .

In that bayou mill around a Orcinus orca . His name ? Onionhead . And though the byname is objectively hilarious , the reference is based on a very real , very ominous Louisiana folk story that feature a troubled and disfigured untried man exacting his revenge on those who wrong him . “ He was brutally off by a vigilante rabble after being falsely impeach of the execution of a young womanhood , ” explicate Dylan DeFatta , part of the squad behindAmerican Monsters : Onionhead ’s Revenge , the Mall of America ’s first - ever onsite haunted home , now in its 2nd year . “ The town furiously whoop him up into 13 slice , and scattered them in a nearby memorial park . ”

But Onionhead ’s female parent , atraditional Cajun traiteur , or religion healer , remain on her boy ’s side . She put a hex on the townspeople who down her son , then sewed him back together and brought him back to life using her fixing power . And here ’s where the fun starts . “ Every patron that walks through our door is the next victim , ” says DeFatta .

a door that says Dentist Room

Possibly the most terrifying room there is.|Mark Makela / Getty Images News

And what each “ victim ” experience is the result of years of intricate planning from expert in the biz , roundabout - minded designers ofhauntswho exist and breathe rachis - chilling scare . We spoke with two of these directors of the disquieting , victor of the macabre , sultans of scream ( we could go on ) to uncover the double-dyed formula for a haunted magnet guaranteed to make you shout … or perhaps even involuntarily resign some bodily fluids . Be thrifty what you wish for .

Step one: Get your story in order

Dubbed the “ heir to the panic , ” DeFatta is the son of Greg DeFatta , proprietor of San Diego’sHaunted Hotelfranchise and co - beginner , along with existential leaders Miziker Entertainment , of American Monsters . Birthed into a bona fide factory of fright , he presently bear the undefined but important title , Haunt Director , in the family business . “ In shoal , [ my ] friends ’ parent were teachers or function for the authorities or Target , ” he says . “ It was kind of cool to be able to give out tickets to haunt houses — I’d project out who was brave , and who were the chickens . ”

If there ’s anyone who sleep with how to make the pilus on the back of your neck opening stall on end , it ’s this guy . When American Monsters first begin conceptualizing Onionhead ’s Revenge three years ago , they begin with the plot line . “ For us , it really facilitate with inspiration and theming , ” DeFatta says . “ It helps paint a clearer exposure of the event you ’re design and keeps thing cohesive and digestible . ” take a firm narrative is also key to stay fresh and attracting raw customers year after year . Each of the company ’s haunting concepts revolves around a different folklore , blurring the formidable lines between truth and fabrication . ThinkMeow WolfmeetsDeliverance .

“ It was kind of cool to be able-bodied to give out tag to haunted home — I’d figure out who was gay , and who were the Gallus gallus ”

Skeleton driving a car in front of a sign that says Slidell, Louisiana

He’s going nowhere fast.|Photo courtesy of American Monsters: Onionhead’s Revenge.

A few age ago , Philadelphia’sEastern State Penitentiarytraded their single storyline subject for a more superimposed approach when they swapped their Terror Behind the wall haunt planetary house attraction for a broader , multifarious fete . threat Behind the Walls played on high society ’s conceptions of “ scary ” prisoners and “ wild ” genial patient role , a fabric that seemed to work against the institution ’s dedication to boost social justice and prison house reform . And while the same might be say about host a Halloween festival at all , the show also plays a full of life role in allowing them to keep their crucial body of work . “ We ’re a nonprofit , ” says ESP production room decorator James Travis III . “ Halloween Nights does pay for a large circumstances of our bill , and it ’s our major fundraiser . ”

Stripping the seasonal installation of its individual plot line entail the team can explore multiple report over five frequent house . “ We can look at each as a separate entity , we do n’t require to endeavor to force them into one plot line , ” says Travis . “ That really serve us make each haunted theatre better . ” And for the dice - hards , there are plenty of easter nut and underlying thread to parse while you comb the former prison house ’s storied halls . Says Travis , “ It ’s more of a web of deceit and lies that connect everything behind the scenes . ”

Step two: Create a space that transports

Before he mother too far into Onionhead ’s swampy backstory , I involve DeFatta if he considered plainly leaning into mall refinement as a melodic theme . capitalist hedonism is pretty terrific on its own , no ? Not to note , all those teenagers .

“ When we start the creative mental process , the first affair I require to do is put customers into a worldly concern they do n’t find themselves in very often , ” he replies . “ I love when people walk into our quad and altogether forget that they ’re in a mall . They finger like they ’re alfresco in the bayou at night , and that ’s how we position the leg for all the scare that comply . ”

The effect is reach in part by physically using the space to reenforce the carefully curated storyline . “ Every scenic prop or arrange deck is specifically choose to serve enhance those element , ” he tell . “ Everything from the pre - show , when aerialist execute hanging from the ceiling , to the original soundtrack to the actors all aid to tell apart that tarradiddle as completely as potential . ”

a red chair in crumbling surroundings

The old barbershop in Eastern State Penitentiary|catnap72 / E+ / Getty Images

“ It was designed to be scary , to say to the public , ‘ You do n’t want to go behind these walls ’ ”

Some haunted houses , however , do n’t require a transformation to follow across as credible . The massive , crumbling Eastern State Penitentiary already bear as an imposing , ghostly anomaly in the middle of bustling , lively Philadelphia . “ It was designed to be scary , to say to the populace , ‘ You do n’t want to go behind these wall , ’ ” sound out Travis , cite the complex ’s former life as a go urban jailhouse . “ So we ’ve catch that going for us . ”

But if you ’re function with a historic property and legallycan’tchange anything , you may indeed have to employ a few tricks of the swop . That can intend anything from concocting the perfect peeling paint overlay to wrapping imitation asbestos around organ pipe .

A scared woman standing in between a throwing knives circus act

Well, this doesn’t look good.|Photo courtesy of Halloween Nights at Eastern State Penitentiary

“ Most of our frequent houses are freestanding edifice inside of buildings , ” Travis append . “ A lot of the bulwark people see in the haunts , they think are historic , but our set decorator actually built them tolookhistoric . ”

Step three: Scare from all angles

What scares you ? spider ? high ? drop dead alone ? creature on stilts inciting concern from above ? This is the kind of poppycock haunted house designer sit around discourse every mean solar day , for fun .

“ Your classic scares are your jump scares , which are actually really effective and necessary , ” says DeFatta . This can face like deploying air blasters , pocket-size firecrackers , or quick bursts of Department of Energy amount from a airplane propeller or person . you’re able to throw in some fog — real smoke and mirrors — strobe lights , manakin , animatronics , and wow - factor set pieces like maul that dangle from the cap or coffins that spring from the ground .

And then there ’s the dependable , simple scenario that both DeFatta and Travis are tender of : Dropping a Edgar Guest into a elbow room of clothed blank where one is not like the others . “ You know one of those has to be a person , you just do n’t make out when they ’re going to occur crawling at you , ” says DeFatta . “ And when it happen , you cry , you cry , or you pee yourself , andthatis your classic taken up house . ”

Jump Scares & Bloody Dresses: The Life of a Haunted House Actor

Jump Scares & Bloody Dresses: The Life of a Haunted House Actor

Step inside a Times Square frightfest to discover a whole new side of Halloween.

For Travis , fear is divide into apprehensiveness , terror , and repulsion , and he explains that a good haunted house can harness all three . “ With dread , you acknowledge something bad is coming up , but it ’s not there yet — it ’s a obtuse physical body intensity , ” he enounce . “ Terror is all out , like ‘ Oh my God , this matter is about to diminish and crush me , I ’m gon na die ! ’ It ’s that cruel rush . ” And then there ’s horror : “ That ’s like , they ’re chopping a guy wire ’s arm off and tailor on a robot arm , or they ’re put on somebody else ’s human face . ”

Regardless of the particular tactic , haunted houses should be full - body experience . “ My favored way to scare the great unwashed is by hit or deepen the green goddess , ” says Defatta . “ If you put somebody in a completely fatal room with an overwhelmingly disturbing and loud audio track , you remove their power to convey . It ’ll be more hard for them to opine what ’s coming next . ”

Include the olfactory for even more immersion . “ If you have a bumbler scene where someone ’s been chopped up into a million pieces , playing the sound of flies starts to get your whisker on your neck really prickle , because innately , psychologically , and evolutionarily , we are n’t supposed to be in distance like that , ” says DeFatta . “ We hear that and smell the core and we consider it ’s time to run . ”

a living room setting in a haunted house

Go ahead and make yourself at home|Courtesy of American Monsters: Onionhead’s Revenge

Step four: Accommodate the scaredy cats

ESP offer add - ons for an even more intense experience . Optional glow - in - the - dark necklaces are free , and a sign that secern the actors that they ’re allowed to touch you , take you into back rooms , and pull you out of the gang for one - on - ones .

But frights like these are not everyone ’s cup of afternoon tea . When reimagining the Halloween experience at ESP , the team decided that scaredy computed axial tomography also deserved to get in on the festive action . “ A lot of masses I make love like Halloween — the fall aura , pumpkins , pumpkin vine spicery beers , touch , witches , stuff and nonsense like that , ” say Travis . “ But they do n’t want to have some actor jump out and scare them . That ’s not their idea of a unspoiled clip . ”

Therefore a ticket to the 11 - Accho property grants guest access to the total ground , letting them choose their own adventure . Do n’t need to be tail through a dreary burrow by a chainsaw - manage maniac ? mayhap you ’d be more at home love some campfire s’mores and shuddery storytelling , or catching spiritual flapper putting on a show outside Al Capone ’s former cell .

a blacklight room in a haunted house with clowns

Clowns are apparently the scariest monsters of all|Photo courtesy of Halloween Nights at Eastern State Penitentiary

At Onionhead ’s Revenge , tickets are n’t ask to enter the magnet ’s bayou - themed lobby . There , you ’ll find Vern ’s Moonshine Bar , which serves up theme libation amid corrugated metal ceilings and taxidermied decor . And it ’s great merchandising — at first , you might not need to see what dwell behind the large metallic element gates , but after a few cocktails , good old liquid courage rush in .

“ I ca n’t think whatTransWorldwould look like to somebody who ’s not in the industry , ” jokes DeFatta . hold every March in St. Louis , the horror trade show is a must for anyone in the haunt line . “ There ’s bodies hanging from every booth , there ’s air cannons going off , and the spot is filled with fog and laser , ” he explains . “ You ’ve got citizenry lean around with pedigree all over their bodies — it must be a sight to see if you ’re just work the beer stand . ”

But for hauntrepreneurs , a trip to TransWorld is crucial , not just to pick up the newest blinking stump and gory physical composition , but to keep up creatively . “ It ’s a place to get together with peers and talk about trends , how the industry is changing , how we ’re going to accommodate , ” say DeFatta . Though what scares us is fundamentally implant in our brains , it ’s also capable to extraneous factors , like whenThe walk Deadbrought zombie back to the forefront . “ zombie were all you could buy at the haunted house conventions , ” say Travis . “ This yr , we started seeing a wad of mushroom - establish things because ofThe Last of Us . ”

Something that ’s always a safe stake though ? Clowns , says DeFatta . “ They do n’t exist in nature , and it is n’t necessarily built into our DNA to be afraid of merry andrew , but we are . We ’ve done polls about what scares you the most , and the act one thing is always clowns . ”

Philadelphia’s Eastern State Penitentiary Mixes Jump Scares with Social Reform

Philadelphia’s Eastern State Penitentiary Mixes Jump Scares with Social Reform

Come for the creepy haunts, stay for the criminal justice.