Ten years on, it’s time to add this movie to the car-based canon.
The movieGone Girlcame out ten years ago , on October 3 , 2014 . In the year since , the adaptation of Gillian Flynn ’s well - selling novel of the same name has developed a devoted fan base . Ben Affleck ’s turn as a bungling and weak - willed husband to Rosamund Pike ’s conniving and spiteful wife , run by David Fincher ’s moody and well - pace directing , makes you finger like you ’re really entering into Nick ( Affleck ) and Amy ( Pike ) Dunne ’s moribund suburban incubus . The picture show has only become more beloved with time ; who can forget when Anne Hathaway told James Corden that one of herfavorite quixotic comedieswasGone Girlin 2017 .
While the film is frequently laud for its dark mood , Amy ’s “ good for her ” fib bow , and the perfect execution of a thriller , there ’s one aspect that has n’t been as widely celebrated in the last 10 . It ’s not Pike ’s delivery of the line : “ I ’ve killed for you . Who else can say that ? You think you ’d be happy with a nice midwestern girl ? No way infant . I ’m it . ” Though , I ’ve often deliberate get “ No path child . I ’m it . ” as a tramp steamer seal .
The most underrated component of the film is thatGone Girlis a gross road misstep movie . LikeDeath ProofandThelma & Louisebefore it , Gone Girl ’s portrayal of a woman on the run steals the spotlight . But also like those films , the lead char gets in the railcar and claim a driveway , becoming uninhibited with the freedom the road offers . AsA Dictionary of FilmStudiesnotes , road movies tend “ to display a certain metaphysical or existential bent , via themes of insurrection , escape , uncovering , and transformation , and is typify by an attenuated or picaresque narrative . ” In American cinema especially , traveling the subject road is a popular motif and is deployed across genres . InGone Girlit is used to literally drive Amy ’s story forward .
Courtesy of 20th Century Fox
While on the road , Amy Dunne cast every mark of her old life . She leave the crisp light-haired hair behind , choose for a dull browned shade . She swop urbane clothing and form - fitting pants for loose and shapeless sweat . We see Amy eating cheeseburgers with one helping hand and steering the railroad car with the other . She terminate at questionably reputable motels and meets untrusty dude traveler . She have the heights and lows of truck occlusive bathrooms . We ’re following her on this journey of transformation . And just of all , Amy ’s route slip , like so many of the dandy one , is fuel by a greater intention than just getting somewhere .
That use , of course , is to border her obstinate husband for her own execution . As she packs and unpacks the beater car she purchased for the trip , she lies , schemes , and stop up committing a execution of her own . Fincher thankfully does n’t invite us to investigate the ethics of Amy ’s road trip itinerary . We just get to watch her on it . While we ’re corkscrew deeper into the mystery of her games with Nick , Amy ’s route trip guides the 2d half of the movie to its sexual climax .
And while her midwest risky venture is probably not one that you ’d be disposed to immediately reanimate , not every route misstep picture is supposed to be as aspirational asY Tú Mama Tambien . There ’s a sure itchy feet capture as Amy floats around in a motel puddle and communicate billboards showing her own absent mortal flier . It ’s not a road trip I ’d require to take , but goodness I do enjoy watching it .
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